[Ego, Orpheus, numquam cum aliō
cōnfūsus sum; nam amor meus erat mūsa mea, et mūsa mea ob amōrem eius erat.]
The swans were whispering fragrant secrets
amidst the serpentine trees, riddles sanctified by dark moss and winter’s
lavender. Orpheus could recollect the wondrous blue halo, as if he were
adorning her with night’s jewelry, of sadness painted in oceanic sapphires.
His was the forbidden forest, for his soul was darkened
with ancient curses, of incantations of mermaids who imagined his body
disappearing in the moonlight. The swans could see him from a distance, the
riverine flute where they floated by, their pale wings carrying them to the
soul of the cold moon. The angelic birds could feel his ardent call, like a memory
of despair and hope that surrounded him, as if the forest was meditating in
darkness.
The birds were still indecisive; they did not
know if Orpheus was one of the confined idols in the eighteen realms. They were
not sure if they could trust him with their secrets. He sometimes looked like
one of those whose skulls were half-buried in the valley of dry bones. His face
looked similar to those who died all alone and were entombed in the corpus of
the serpentine trees.
Orpheus did not seem to be misunderstood in
himself. He often wore a mask made of silver, a mask that the swans recognized.
His flute was speaking to Shanaya, not imploring, yet reminiscent of a distant
past when they were separated. She followed Orpheus like a shadow, judging his
every move on diamond scales, only to find that even all the treasures of her
palace could not keep her away from him.
She could sense the swans whisper urgent
endings, as the forest was eager to come alive in the darkness. The captives of
the eighteen realms seemed to be conspiring against the swans, the trees, the
flowers, and even her. Deep in her unmarried heart, she realized that she
needed help, and only Orpheus could rescue her from her own darkness closing around
her like a curse.
Thus was the tearful hope of the woman when she
decided that she would call Orpheus, albeit in riddles, for she did not want to
show herself.
Sōlitārius ipse simul cremandō
mihi occurrēns
Sentiō terrōrem absolvī, ego quī
attestātus sum somnium
Quō inpulsus dēscendō in
infernum? Ubi es, līberātor meus?
Ūnō sanguine dēcidēns, esne tū
ūnus amor meus?
Esne tū sāncta persōna, esne deō
similis?
Et tū mē amās?
एकाकी मम आत्मा समकालं मृत्युसमये माम् उपतिष्ठति,
मोक्षस्य भीतिं अनुभवामि—अहं यः स्वप्नस्य साक्षी अभवम्।
कुत्र प्रेरितः सन् नरकं अवतरामि? कुत्र असि मम मुक्तिदाता?
एकेन रक्तेन नश्यन्, किं त्वम् एव मम
एकमात्रः प्रेमा?
किं त्वं पवित्रा आत्मा? किं त्वं
देवसदृशः असि?
किं च त्वं मयि स्निह्यसि?
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